Tapestries lend warmth, colour and texture to any environment, especially buildings made in modern materials. Add to that the fact that they can be made on an impressive scale, and you'll see why many companies and individuals choose them for prominent locations.
I make a wide variety of handmade, one-off textile and paper works of art, often to commission. They can be tiny or huge, three inches by three inches (7 x 7 cm) to eight feet by fifteen feet (2.5 m x 4.5 m). They can be tapestries, paperworks or other types of textile. The choice is yours.
Commissions
I have worked with galleries, architects, interior designers, shopping centre managers, executives, private individuals and even civil servants. My clients get the work of art they want, one that enhances the chosen space and says something about their company or themselves. I always meet deadlines (approximately three months for a large tapestry). I am happy to work with you to design something to your specifications and budget.
I start with sketches and sample weaves following your instructions, and I don’t start on the project until you are completely happy.
Edinburgh Castle hangs in the boardroom of Baillie Gifford and Co, Scotland’s largest firm of investment managers. It was commissioned along with a second tapestry for the company’s headquarters in Rutland Square, Edinburgh.
Reviews
Duncan McMillan
Phillippa Swann
Jane Norrie
Peter Collingwood
Anna Babinska
Clare Henry
Murdo Macdonald
Henry Lehmann
Adrienne Clarkson
Moira Jeffrey
Virginia West
Selected Shows
Solo shows:
2000- 2003 “Unmarked Lives”, Multicultural Art Gallery, Halifax, Nova Scotia and touring to ten venues in Canada, USA and Scotland
1994 “Joanne Soroka”, MacRobert Arts Centre, Stirling, Scotland
1991 “Joanne Soroka Textiles”, Crawford Arts Centre, St. Andrews, Scotland, and touring
1990 Wintergarden, People’s Palace, Glasgow
1990 “Flags”, Arup Associates, London
1981 – 1982 “Tapestries by Joanne Soroka”, Textile Museum, Washington, DC
1982 “Tapestries of Gold”, Ontario Crafts Council Gallery, Toronto
1980 “Tapestries”, Canadian Guild of Crafts Quebec, Montreal
1980 “Recent Tapestries”, SAW Gallery, Ottawa, Canada
1977 Galerie Heritage, Toronto
Group shows (recent selected):
2018 Weaving New Worlds: Contemporary Tapestry, William Morris Gallery,
Walthamstow, London
2018-19 Artaptestry5, touring to Denmark, Sweden, Latvia and Romania
2017-18 Daughters of Penelope, Dovecot Studios, Edinburgh
2017 Apocalypse or Global Sustainability, Karpit 3, Budapest, Hungary
2016-17 To Weave Dreams, 26th Miniartextil, Como, Italy; and touring to
Paris, Caudry, France and Venice
2016 15th International Triennial of Tapestry, Central Museum of Textiles, Lodz, Poland
2012 Artapestry3, Denmark and touring to Finland, Sweden, France, Latvia
2011 That was Then: This is NOW, City Art Centre, Edinburgh
2011 Kate Derum Award for Small Tapestries, Australian Tapestry Workshop, Melbourne
2009 ‘This is Now: From Drawing to Contexture’, Patriothall Gallery, Edinburgh (Edinburgh Art Festival exhibition)
2009-2010 IXe Triennale Internationale des mini-textiles, Musée Jean Lurçat, Angers, France and touring to Canada, Switzerland, Spain, Belgium
2009 3rd International Triennal for Miniature Textiles, Gallery of Szombathely, Hungary
2009 6th International Biennale of Textile Miniatures, ‘Centenaries and Instants’, Arka Gallery, Vilnius, Lithuania and touring in Lithuania
2009-2010 “Vive la Tapisserie!” French Institute Gallery, Edinburgh, Scotland, UK and touring to Stornoway and London
2009 “Textile Art in Canada”, Montreal Centre for Contemporary Textiles, Montreal, Canada
2008 “Land”, Australian National University, Acton, Canberra, Australia
2004 13th Tallinn Print Triennial, Tallinn, Estonia
2003 “Visual Arts Scotland Annual Exhibition”, Royal Scottish Academy, Edinburgh (invited artist)
2001-2002 “Cultural Exchange”, Birmingham Art Gallery and Museum, Birmingham
1999 “Edinburgh Makers”, National Museum of Modern Art, Kyoto, Japan
1999“ECA to USA”, New Jersey Center for Visual Arts, Summit, New Jersey
1998-2000 “Scottish Spirit”, Arthur Ross Gallery, University of Pennsylvania, Philadelphia and touring in the USA
1996 “Woven Image: Contemporary British Tapestry”, Barbican Centre, London and touring
Blog
How I Made a Shroud
My soulmate, Barry, died suddenly and unexpectedly in August. After I got over the initial shock, I thought about how I wanted to give him a parting and meaningful gift, so I decided, as a textile artist, to make a shroud for him. Barry was…
What’s so special about tapestry weaving?
One of the great strengths of tapestry weaving is the surfaces that can be created. Each medium has its positives, and with tapestry, yarns can be used in multiple ways to create texture in bas relief or even into the third dimension. Here are a…
Art in the time of coronavirus
With the current pandemic, we are in a life-and-death situation, all feeling isolated and scared. Most of us are doing our best to comply with medical advice and government regulations. We are practising social distancing by staying at home and minimising contact with others. Tapestry…
Juried exhibitions – why should artists subsidise them?
I have previously fulminated on the subject of open-call commissions, when artists were asked to provide designs to a brief, often in a short timescale and without payment. I composed a sample: ‘The tapestry for Borchester City Chambers should be on the theme of ‘caring…
Stolen Tapestries
In the late 1970s a number of us formed the Scottish Tapestry Artist Group (STAG) to help promote tapestry weaving mainly by having exhibitions. Our shows included the work of both established artists and more recent graduates. We were excited when our third main show…
Can textiles be political?
Joanne Soroka, Another Country, shaped tapestry with tufting The words ‘political’ and ‘textiles’ are not natural bedfellows. Textiles are gentle, feminine and amateur in the general imagination, but some artists like to subvert received opinion and use the apparent disparity to make their point….
How do I become an artist?
The traditional view was that the artist was a genius, a man, who worked in a freezing garret and was devoted only to his art. He was separate from ‘normal’ society, but didn’t care – in fact, he celebrated his superiority to it. Perhaps it…
Archie Brennan (1931-2019) and the time he made me cry
Archie was one of my teachers in the Tapestry Department at Edinburgh College of Art in the 1970s, along with Maureen Hodge and Fiona Mathison. He was there less often than they were but he was a strong force, highly regarded for his abilities as…
It’s just not working – what do I do now? Revising tapestries
With some media, it’s easy to correct mistakes. But with tapestry, if you change your mind about something or realise it is just not working, it can mean tediously having to unweave many days’ or even weeks’ work or having to cut out the offending…
The strangest exhibition opening ever
I exhibit my work internationally, and sometimes I am lucky enough to be able to travel to far-flung destinations. It can be exciting to attend the opening of an exhibition, although they tend to be standard affairs with chatting and speeches, albeit tempered by the…
Foraging for Tapestries
I have loved collecting wild food all my life, starting as a small child with wild strawberries and blueberries. When I discovered the books Stalking the Wild Asparagus and Food for Free in the 1970s, I broadened my searches to include plants such as wintercress…
What’s So Funny?
Tapestry is thought of as a serious discipline, historically used to impress its audience by showing the might, taste and prestige of its owners. Or it could cow viewers into submission by frightening them with images of the Apocalypse, suggesting that they should turn from…
The resurgence of tapestry
Happily we have seen a resurgence of interest in textiles as art in recent years. Great – but why is it happening now? We know that textiles have often been viewed as craft and that the practitioners have mainly been women – two strikes against…
How to make a tapestry about Islamophobia
I wanted to respond to Islamophobia, one of the great evils of our age. Along with everyone I know, I was horrified by the Christchurch mosque shootings on 15 March, and the following day I was at the Cordis Prize for Tapestry conference, where Lesley…
Are textiles art or craft – what the critics say
Those of us who create tapestries in the widest sense of the term consider that we are making art. However we are often annoyed or even angered by the way our work is perceived, especially by those who should know better, the art critics. Here…
The Cordis Prize exhibition and symposium
The Cordis Prize for Tapestry was initiated by Miranda Harvey and her husband, the crime writer Ian Rankin. https://www.heraldscotland.com/news/17498523.weaving-a-new-story-ian-rankin-on-how-he-fell-in-love-with-tapestries/?ref=twtrec They wanted to celebrate tapestry by offering an £8000 prize, the world’s largest, with an exhibition for shortlisted entries, to celebrate and stimulate the medium. This…
How long does it take to weave a tapestry?
Presumably every person who goes to a party and meets strangers knows the first question they will ask, once their job title has been established. For tapestry weavers, it may be, ‘Oh yes, my aunt does that,’ but more usually it is, ‘How long does…
Why bother weaving? What is the point?
When you embark on the weaving of a large tapestry, you know it is going to take months to complete, so you want to be sure it is worth the time and effort. Here are some of the things I try to consider. Is it…
Why do we need prizes for art? The Cordis Prize for Tapestry
Let’s look at one of them. The Cordis Prize for Tapestry was initiated by Miranda Harvey and her husband, the crime writer Ian Rankin, in 2015. The fourth exhibition of shortlisted submissions will be exhibited 16 March to 27 May at Inverleith House, Royal Botanic…
Why is it so hard to sell tapestries?
No one becomes a tapestry weaver with the expectation of making their fortune. We all supplement our meagre incomes by teaching or other activities, from waitstaff to dog walking. But why don’t people buy our beautiful works of art? Tapestry suffers from a number of…
Is it a tapestry? No.
I think every tapestry weaver has had the experience of meeting someone at a party and, following the reply to the question, ‘What do you do?’, has got the reply, ‘Oh yes, my aunt does that.’ I inevitably suppress the inclination to sigh and give…
Upcoming Juried Shows
Tapestry weavers who make works large or small can enter upcoming juried exhibitions. You just need to send images of your work, within any parameters set, and hope the jury prefers it to others submitted. Sometimes a fee is also required, and you usually have…
The Lime Tree Gallery, Fort William
I was contacted out of the blue by the Lime Tree Gallery in Fort William in the Scottish Highlands in February 2018. They wanted to show two of my tapestries, Kawa and The Face of the Earth. I hadn’t heard of them, but a small…
Artapestry 5
Artapestry 5 is the fifth of this series of triennial juried exhibitions that tour in Europe. My tapestry, Another Country, is one of forty selected works out of a total of 118 submitted from 17 countries. Artapestry is run by the European Tapestry Forum to…
Weaving New Worlds
Weaving New Worlds was an exhibition at the William Morris Gallery in Walthamstow, London in the summer of 2018. It was the brainchild of Lesley Millar, an eminent curator and academic in the field of textiles. She wanted to showcase the work of sixteen women…
I hate fringes!
When I say I hate fringes, of course the ones I hate most are the artificially added ones to non-tapestries that call themselves tapestries, such as the first one illustrated. However, many true tapestries also show fringes, the warp yarn which has not been turned…
Get in Touch
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