Tapestries lend warmth, colour and texture to any environment, especially buildings made in modern materials. Add to that the fact that they can be made on an impressive scale, and you'll see why many companies and individuals choose them for prominent locations.
I make a wide variety of handmade, one-off textile and paper works of art, often to commission. They can be tiny or huge, three inches by three inches (7 x 7 cm) to eight feet by fifteen feet (2.5 m x 4.5 m). They can be tapestries, paperworks or other types of textile. The choice is yours.
I have worked with galleries, architects, interior designers, shopping centre managers, executives, private individuals and even civil servants. My clients get the work of art they want, one that enhances the chosen space and says something about their company or themselves. I always meet deadlines (approximately three months for a large tapestry). I am happy to work with you to design something to your specifications and budget.
I start with sketches and sample weaves following your instructions, and I don’t start on the project until you are completely happy.
2000- 2003 “Unmarked Lives”, Multicultural Art Gallery, Halifax, Nova Scotia and touring to ten venues in Canada, USA and Scotland
1994 “Joanne Soroka”, MacRobert Arts Centre, Stirling, Scotland
1991 “Joanne Soroka Textiles”, Crawford Arts Centre, St. Andrews, Scotland, and touring
1990 Wintergarden, People’s Palace, Glasgow
1990 “Flags”, Arup Associates, London
1981 – 1982 “Tapestries by Joanne Soroka”, Textile Museum, Washington, DC
1982 “Tapestries of Gold”, Ontario Crafts Council Gallery, Toronto
1980 “Tapestries”, Canadian Guild of Crafts Quebec, Montreal
1980 “Recent Tapestries”, SAW Gallery, Ottawa, Canada
1977 Galerie Heritage, Toronto
Group shows (recent selected):
2018 Weaving New Worlds: Contemporary Tapestry, William Morris Gallery,
2018-19 Artaptestry5, touring to Denmark, Sweden, Latvia and Romania
2017-18 Daughters of Penelope, Dovecot Studios, Edinburgh
2017 Apocalypse or Global Sustainability, Karpit 3, Budapest, Hungary
2016-17 To Weave Dreams, 26th Miniartextil, Como, Italy; and touring to
Paris, Caudry, France and Venice
2016 15th International Triennial of Tapestry, Central Museum of Textiles, Lodz, Poland
2012 Artapestry3, Denmark and touring to Finland, Sweden, France, Latvia
2011 That was Then: This is NOW, City Art Centre, Edinburgh
2011 Kate Derum Award for Small Tapestries, Australian Tapestry Workshop, Melbourne
2009 ‘This is Now: From Drawing to Contexture’, Patriothall Gallery, Edinburgh (Edinburgh Art Festival exhibition)
2009-2010 IXe Triennale Internationale des mini-textiles, Musée Jean Lurçat, Angers, France and touring to Canada, Switzerland, Spain, Belgium
2009 3rd International Triennal for Miniature Textiles, Gallery of Szombathely, Hungary
2009 6th International Biennale of Textile Miniatures, ‘Centenaries and Instants’, Arka Gallery, Vilnius, Lithuania and touring in Lithuania
2009-2010 “Vive la Tapisserie!” French Institute Gallery, Edinburgh, Scotland, UK and touring to Stornoway and London
2009 “Textile Art in Canada”, Montreal Centre for Contemporary Textiles, Montreal, Canada
2008 “Land”, Australian National University, Acton, Canberra, Australia
2004 13th Tallinn Print Triennial, Tallinn, Estonia
2003 “Visual Arts Scotland Annual Exhibition”, Royal Scottish Academy, Edinburgh (invited artist)
2001-2002 “Cultural Exchange”, Birmingham Art Gallery and Museum, Birmingham
1999 “Edinburgh Makers”, National Museum of Modern Art, Kyoto, Japan
1999“ECA to USA”, New Jersey Center for Visual Arts, Summit, New Jersey
1998-2000 “Scottish Spirit”, Arthur Ross Gallery, University of Pennsylvania, Philadelphia and touring in the USA
1996 “Woven Image: Contemporary British Tapestry”, Barbican Centre, London and touring
How long does it take to weave a tapestry?
Presumably every person who goes to a party and meets strangers knows the first question they will ask, once their job title has been established. For tapestry weavers, it may be, ‘Oh yes, my aunt does that,’ but more usually it is, ‘How long does…
Why bother weaving? What is the point?
When you embark on the weaving of a large tapestry, you know it is going to take months to complete, so you want to be sure it is worth the time and effort. Here are some of the things I try to consider. Is it…
Why do we need prizes for art? The Cordis Prize for Tapestry
Let’s look at one of them. The Cordis Prize for Tapestry was initiated by Miranda Harvey and her husband, the crime writer Ian Rankin, in 2015. The fourth exhibition of shortlisted submissions will be exhibited 16 March to 27 May at Inverleith House, Royal Botanic…
Why is it so hard to sell tapestries?
No one becomes a tapestry weaver with the expectation of making their fortune. We all supplement our meagre incomes by teaching or other activities, from waitstaff to dog walking. But why don’t people buy our beautiful works of art? Tapestry suffers from a number of…
Is it a tapestry? No.
I think every tapestry weaver has had the experience of meeting someone at a party and, following the reply to the question, ‘What do you do?’, has got the reply, ‘Oh yes, my aunt does that.’ I inevitably suppress the inclination to sigh and give…
Upcoming Juried Shows
Tapestry weavers who make works large or small can enter upcoming juried exhibitions. You just need to send images of your work, within any parameters set, and hope the jury prefers it to others submitted. Sometimes a fee is also required, and you usually have…
The Lime Tree Gallery, Fort William
I was contacted out of the blue by the Lime Tree Gallery in Fort William in the Scottish Highlands in February 2018. They wanted to show two of my tapestries, Kawa and The Face of the Earth. I hadn’t heard of them, but a small…
Artapestry 5 is the fifth of this series of triennial juried exhibitions that tour in Europe. My tapestry, Another Country, is one of forty selected works out of a total of 118 submitted from 17 countries. Artapestry is run by the European Tapestry Forum to…
Weaving New Worlds
Weaving New Worlds was an exhibition at the William Morris Gallery in Walthamstow, London in the summer of 2018. It was the brainchild of Lesley Millar, an eminent curator and academic in the field of textiles. She wanted to showcase the work of sixteen women…
I hate fringes!
When I say I hate fringes, of course the ones I hate most are the artificially added ones to non-tapestries that call themselves tapestries, such as the first one illustrated. However, many true tapestries also show fringes, the warp yarn which has not been turned…
Get in Touch
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